
Branislava Kuburović, Ph.D.
Programme Leader of the MA Fine Art
Head of Research for the School of Art, Design & Media
Branislava was born in Prijepolje, former Yugoslavia, where she studied theatre directing at the Belgrade Academy of Dramatic Arts before emigrating and resettling in Prague in the mid-1990s.
She is active in the interdisciplinary fields of performance and visual culture and her research focuses on art & memory, and on art and performance working with marginal histories, including histories of exile and migration. Her published texts engage with the work of contemporary artists, with final writing resulting from various processes of collaboration with the artists.
Branislava has extensive teaching experience in the United Kingdom, including at the University of Roehampton in London, where she earned her PhD in Performance and Visual Culture. She has also taught at Goldsmiths, University of London, where she received the Goldsmiths Peake Award for Excellence in Teaching; Chelsea College of Art and Design; and the University of South Wales in Cardiff. She is also an Associate Fellow of the UK Higher Education Academy. In addition to her work at Prague City University, she has also taught at the Department of Alternative and Puppet Theatre at the Prague Theatre Academy (KALD DAMU).
As a researcher in performance and visual culture, Branislava frequently presents her work at international conferences across the UK, USA, and Europe. She also curates talks and organises international workshops and seminars in both London and Prague.
As a writer she has published articles in international peer-reviewed journals, essays in artist books, and contributes to academic publications. With long-term links to Prague and Czech modern and contemporary art, she has worked extensively as a translator, collaborating with leading cultural institutions, publishers, museums, and art galleries in Prague, translating artist monographs, books, and other such publications.
Education
University of Roehampton, GB — Doctor of Philosophy
Nottingham Trent University, GB — Master of Philosophy
Belgrade Academy for Performing Arts, RS →
Dartington College of Arts, GB — Bachelor’s Degree
Goldsmiths, University of London, BG — Postgraduate Certificate in Education
Professional Activities
2013 — University of South Wales, Lecturer
2012 - 2013 — Goldsmiths, University of London, Lecturer
2012 - 2013 — Chelsea College of Art and Design, University of the Arts, London, Lecturer and External Advisor
2007 - 2013 — University of Roehampton, Lecturer, External Advisor on MA projects.
Research & Creative Practice
Conferences & Festivals:
November, 2024: Archive Gatherings, contribution to Archived Ruptures – Ruptured Archives event at Käte Hamburger Research Centre global dis:connect + LMU Munich, Germany.
October, 2024: Wit(h)nessing (as) an Audience, lecture and workshop for SE.S.TA Choreographic Forum, part of 4+4 Days in Motion Festival, Prague.
September, 2024: Ecologies of Memory Lecture at the Sarajevo Museum of History of Bosnia and Herzegovina.
March, 2024: Subtle Transitions Conference Prague, Co-organiser for the Memory Studies Association.
December, 2023: Guest speaker at Performensk Festival – Stuttgart, Germany.
July, 2023: Acknowledging Loss. Shaping Relations, paper at Creative Approaches to Memory panel, Memory & Arts Group at Memory Studies Association annual conference in Newcastle, UK.
Selected Publishing:
B. Kuburović, 2016, ‘Introduction’ and ‘How Objects Perform’, in B. Kuburović, S, Zupanc (eds), Space: Music, Weather, Politics. New Approaches to Scenography (Prague Quadrennial 2015), Prague: Arts and Theatre Institute, 2016.
B. Kuburović, 2012, ‘Collapsing Alibis: Intimacy and the Ethics of Wit(h)nessing’, in M.Chatzichristodoulou, R. Zerihan, (eds), Intimacy Across Digital and Visceral Performance, London, Palgrave Macmillan, pp. 39-50.
Selected Academic Journals:
B. Kuburović (forthcoming) with G. Schwindt, Resonant and Defiant Bodies, special issue “Conversing with Images” for Memory Studies journal.
B. Kuburović, 2012, ‘Strange Attractors: Barbara Campbell’s 1001 nights cast”, Performance Research,‘On Duration’, October 2012, 17 (5): 31-33.
B. Kuburović, 2011, ‘Sta(i)r Falling’, Performance Research, ‘On Trauma’, 16 (1): 91-101.
B. Kuburović, 2009, ‘Matrixial Traces in Performance: the anchor series’, parallax 15 (1): 115-124.
Other Articles/Catalogue Texts:
B. Kuburović, ‘Being with Emergence’, in conversation with Adrian Heathfield, published in: Perform, Experience, Re--Live: The BMW Tate Live programme, London: Tate Modern, 2016. Republished in: Felicitas Thun-Hohenstein and Sabine Priglinger (eds), The Curator As …, Vienna: Cathrin Pichler Archiv für Kunst und Wissenschaften, 2018.